"Power Rangers": That's why you don't need to tune in to ProSieben today: Power Rangers film ProSieben Germany release - “Power Rangers” will run on ProSieben on January 19, 2020 at 6:25 p.m. But turning it on is not worthwhile even for absolute “Power Rangers” fans. Here you can find out why.

"Power Rangers" is not a bad film. No matter where you look, the science fiction actioner staged by Dean Israelite from 2017 actually got average ratings everywhere: 2.5 out of 5 stars from FILMSTARTS (with a user rating of 3.1), exactly 50 percent positive reviews at Rotten Tomatoes, a metascore of 44 out of 100 points.

But “just average” is rarely enough these days to really attract a lot of viewers to the cinema - and with “Power Rangers” it was definitely too few. Power Rangers grossed $ 142 million worldwide. With a budget of 100 million, which marketing costs are then added to, that is far too little to generate profit.
No continuation

That is why the big plans that US studio Lionsgate had for the "Power Rangers" franchise were immediately canceled. Six films were to be included in the series, a plan that was born not so long ago when every studio wanted to have a large narrative universe in the tradition of the Marvel Cinematic Universe (MCU). This is one of the reasons why you don't have to watch “Power Rangers”.

Power Rangers film ProSieben Germany release

In itself, it is not that bad that there will be no sequel, but "Power Rangers", like many floppy franchise debuts from that time, is primarily geared towards starting a film series - which damages the dramaturgy of the film. It would have been better, as always, to first make a good film and then think about possible sequels.

Next reboot is coming

And such a good film could soon be waiting for us: Jonathan Entwistle is currently working on another “Power Rangers” reboot. Entwistle came up with the highly acclaimed series “The End Of The F *** ing World” for Netflix and is currently working with “I Am Not Okay With This” on another promising project (which, incidentally, is supposed to be about superpowers, which is thematically relevant fits the Power Rangers).

So his participation also gives hope for the next "Power Rangers" film, especially since the plot also takes us through time travel to the 90s (and thus the "Power Rangers" epoch par excellence).

Not for "Power Rangers" fans

And even “Power Rangers” fans from the very beginning will be very unlikely to benefit from the Israelite reboot. "Power Rangers" is largely a dark, brooding and less action-packed young adult film about handsome, problem-plagued teenagers. If you are looking for over-the-top action and trashy fun here, you should be disappointed.

We can really only recommend “Power Rangers” for fans of moody young adult stories with a small proportion of science fiction. Anyone who belongs to this target group is welcome to join ProSieben on January 19, 2020 at 6:25 p.m.

The New World on Arte: The most underrated Terrence Malick film

 Before A Hidden Life in German cinemas starts at the end of January, Arte shows tonight The New World, probably the most underrated film by Terrence Malick.

In a few days Terrence Malick will return to the cinema with a new film. A hidden life tells the story of the conscientious objector Franz Jägerstätter, who was sentenced to death for his silent resistance. After the associative streams of images from To the Wonder, Knight of Cups and Song to Song, the film marks a return to Terrence Malick's more straightforward films.
The New World - Terrence Malick's underrated masterpiece

These include The New World, which runs on Arte tonight at 8:15 p.m. Not only in preparation for A Hidden Life, it is worth taking a look at the historical drama, but also to rediscover the most underrated film by Terrence Malick. Surrounded by The Narrow Ridge and The Tree of Life, the unusual Pocahontas epic is often forgotten, and it is one of his most overwhelming works.

Accompanied by Richard Wagner's Rheingold, Terrence Malick lets us immerse ourselves in a new world in the course of the strong opening sequence when three ships from England reach the North American coast in 1607. At first the camera only looks carefully through small hatches and crevices before even the chained John Smith (Colin Farrell) witnesses the hopeful spectacle.

Few films in their first few minutes conveyed such a thrilling feeling for departure as The New World. In keeping with Wagner's music, Terrence Malick finds images that speak of curiosity and the dawn of a new age. The wind in the sails can be felt, the exhaustion of the journey is forgotten. Now the discovery is waiting, but soon it turns out that man only came to conquer.

The New World fluctuates between discovery and conquest

Terrence Malick presents nature in a sublime way, the shadows that he finds in the green of the forests are somber: Before the settlers know, the newly founded Jamestown turns into a mushy cauldron in which hunger and suffering gain the upper hand , Dreams have faded as hopelessness and despair fuel the settlers' worst instincts.

Terrence Malick contrasts this muddy desolation with the figure of Pocahontas (Q'Orianka Kilcher). She is the youngest daughter of Chief Powhatan, who finally answers the strangers' actions with violence. Although John Smith seeks support from the Powhatan tribe, an example is said to be made on him. Pocahontas throws himself between the fronts and thus becomes an outsider.

The young woman, whom the film first approaches through the impartial John Smith and later the capable plantation owner John Rolfe (Christian Bale), is one of the most fascinating, complex and ultimately tragic figures that Terrence Malick has portrayed in his work. It hovers between the worlds as hovering as the camera sneaks through the grass. But she cannot escape them.

The New World as meditation on differences and distances

Nevertheless, The New World knows its burden and expresses it in every fiber of the film. It is a tearing observation to see how Pocahontas perishes in the places that actually promise opportunities and gets lost in the alienated homeland before the stranger becomes home and its own roots are forgotten, even though it is about people's speeches nothing else than the special origin goes.

The distances are too great - not only those between two places that are separated by an ocean, but also between people who face each other, look each other in the eye and still do not understand each other. Language barriers and cultural differences only offer explanations at first glance. Fear is much more deeply rooted in people and the social fabric than anyone can break out.

Despite all the moments of coming together that The New World documents, sometimes with success, sometimes with defeat, Terrence Malick comes to a shocking conclusion, which is always aware of the historical scope of history. It is astonishing how his film works as a colonial epic as well as an intimate drama, while the most engaging observations always take place in interaction with nature.

In his previous film, The Narrow Ridge, Terrence Malick deliberately relied on the contrast between the man-made horror (in this case, the horrors of World War II) and the fragile beauty of the world around her. Although this may sound like black and white thinking at first glance, the way in which he is staged has many nuances that make The New World as painful as it is poignant. A really big movie.