Cazzu, Khea and the “new waves” that are part of the sea shone in a free festival as Cazzu Khea sea shore free festival new waves! In Pinamar, thousands of people attended the first 2020 episode of the summer Movistar FRI Music, where they also played Ca7riel & Paco Amoroso. The protagonists spoke with Infobae

Last Saturday the sky of Pinamar gave its visitors an intense sun, a calm wind and little more than 30 ° C, optimum temperature to throw itself of head to the sea without feeling the rigor of the cold. But late in the afternoon and after the beach, there was more enjoyment: with free and free admission there was the Movistar FRI Music, starring Cazzu, Khea and Ca7riel & Paco Amoroso, plus the Uopa Nachi dj set harangue between the shows.

Like the fernet and the coca, like the pizza and the beer, like Maradona and Caniggia, the trap and the summer form an infallible duo, they shake hands and go together to the beach. Two seasons ago, "Crazy" was the absolute soundtrack that put the genre in a place of popularity, transcending all kinds of audiences, tastes and ages. Therefore, it was not unusual to see how thousands of people gradually filled the site where the stage was set up, in Quintana and Del Tridente, while the sun was going out in slow motion and the coastal wind forced to unpack coats.

Cazzu Khea sea shore free festival new waves

Two of the three protagonists of the aforementioned song in its original version gave the present. We talk about Cazzu and Khea (the remaining third is Duki), but the first turn was for Ca7riel & Paco Amoroso. The duo, together with its ATR Vanda, reaffirmed once again why they are one of the sensations of the moment and why it is mandatory for any music fan to see them live, at least once. And although it was at a festival, his presence was at the height of his recital consecration in Works, three weeks ago: without concessions, they burned the ships from the zero minute with “Ola Mina XD”, “McFly” and “All day” .

Although Ca7riel and Paco take full prominence, the ductility, sobriety and power of the ATR Vanda is highlighted in each piece. Especially in "Not me" and "My shadow", two of the songs in which the musicality of the duo is best represented. The same happened in “Ouke”, seen from the side of the stage by actor Esteban Lamothe, protagonist of that indelible hose: “OUKE, smoking flowers with Lamothe”. Shortly before the end, "Ice Cone" left the crowd with a sweet taste in the mouth to better expect the following.

With his blunt rap and lit fire, Khea entered the jumps and infected the public, who followed at almost the same speed the bars of "My Cuban" and "Entrepreneur." In addition to releasing several of his hits (such as “I am 30” and “Encouragement”) he was also encouraged to present the unpublished “I almost fainted” and even to make songs that are not his own but of which he participates. There they wrote down a short version of the remix of “Tumbando el club” (to stir up the first great pogo of the late night), “BUHO” and two of Duki: “She Don't Give a FO” and “Hitboy”, with the one that closed its set.

Before the end, he had his rockstar moment with a version of “Crazy”, which included an epic guitar solo, by Chino, his dj. “In the last rehearsals it occurred to us to start putting a guitar to give the show a bit more rock. And it looked great! I love rock, my family is a rocker, my dad is a rocker ... so we have it. Argentina is a rockstar country, ”he told Infobae minutes before taking the stage, regarding this inclusion rocker that had premiered in the last Buenos Aires Trap.

The most anticipated moment of the night was that of Cazzu. "The boss" of the Argentine trap and surroundings met every one of the expectations that his fans had, judging by the screams and cheers he raised. Although it is worth saying that his show was not articulated with what is expected of a festival, but rather to what happens in his individual presentations: he started very high, from the trap to the reggaeton back and forth, with themes such as “Mucha data”, “Rally” and “Ay, daddy”, accompanied by six dancers and their inflatable avatar of “Emo girl” in the center of the stage.

After an intermission, she became seconded by the Emo Band and her voice was amplified from her characteristic microphone tuned with stuffed animals. Thus, everything became slower and more dramatic: the laments and pains contained in "Fuegx", "R.I.P" and "C14tORCE II" showed Cazzu's most vulnerable side and his ability to move from perreo to soul; accelerate and brake, as requested by the route.

The last cartridges returned to show their most festive facet, including a version of "My Cuban" (with Ecko as guest), another fragment of "Tumbando el club" and the absolute ending with "Chapiadora", his biggest hit.

In one of the sections of his presentation, Cazzu stopped everything to reflect aloud on the behavior of men before a song sung by a woman: “Did you realize that when we like a song that a man sings, we all sing The girls, the boys, everyone. But for some strange reason, when you like a song that a girl sings, boys don't want to sing. They don't want to sing, they say ‘I know the subject, but mmmm’. It doesn't paint them, did you see? ”

In this regard and consulted by Infobae at the end of the show, he said: “I think they are the old prejudices with which we are trained, right ?: the girls are trained to compete with each other, the boys are trained to represent them only mens. I worry how far we are from that. I get excited and I get very excited when I see the boys sticking out their voice in a song of mine. It is important to be able to break with that. ”